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Changes
Joan Ann Lansberry
May 23, 1998
A year ago I sketched this flower and pressed
the tiny buds inside my sketch book. I found it today.
Changes is the tentative title of this section, for that is time's theme. Ever that, but more so of late. Helina has found her own special love and will be beginning a new life with Shayna. They seem meant for each other. Both are inclined to a rich inner fantasy life and their worlds come together and merge with ease. In the beginning of June, they will move into a place of their own near here. Helina's three cats will meet the animal kingdom of Shayna's twenty-four felines, as well!
Fresh romance must be in the air, for today our friend Tyan visited with a eager sweetheart of her own. They were looking forward to a weekend filled with frolic.
Even the triad is experiencing major changes for Julia is re-entering the work force and will begin working as a security guard Tuesday!
I found the pressed flower and sketch when I opened the book to begin "Still Life in Yellows and Gold". I set up this still life in the sewing machine table yesterday and worked all weekend on it, so that the sewing machine would be available for use tomorrow.
Julia Cameron, author of The Artist's Way and The Vein of Gold in conversation with Samuel Bercholz, founder and president of Shambala Publications:
"People often say to me, `Your book is a Buddhist book,' or `This is a book about mysticism, really, or this is a Sufi book.,' That is probably because creativity is a spiritual path, and at the core of the various spiritual paths are the same lessons. For instance, I recently read Thich Nhat Hanh for the first time, and I found myself thinking that he sees the world with an artist's eye. I think that's because he is very heart-centered. Even though we think of creativity as an intellectual pursuit, in my experience creativity is a heart-centered pursuit. We actually create from the heart. I think it's interesting that the word `heart' has the word `art' embedded in it. It also has the word `ear' embedded in it.So both Buddhism and creativity involve the art of listening to the heart. That's where the creative impulse arises from. That's why I cannot distinguish between creativity and spirituality. When you're practicing creativity you become a grounded individual, and that communicates the universal." |
What Ms. Cameron is saying resonates deep within my heart's core. My romancing of the muse has all these spiritual implications. When engaged in the creative act, whether through poetry or art, I feel closer to the First Source, the Creatrix of all that is. Not all artists feel this way. We recently had occasion to visit with Gaby, a well-traveled, highly cultured woman who crossed our web-path. Gaby is also an artist. She spoke of having a "need" to create. She might have regarded my explanations of feeling "more connected" when creating as the ramblings of a childish theist. But in agreement, we both share that "need" to create, something we MUST do.
Julia survived her first night of work. She is sleeping now.
We have the room darkened and are using the air purifier which
also serves as white noise maker. She needs her sleep very
much, but when she has had sufficient rest, Julia awakens with the cutest smile on her
face.
The Transcendent Question: Is This Literary Ordeal Going to be
Worth My Effort?
So asks Peter Vokac on today's Community Front Page. It's the
question of many timid art lovers who forage out into the world
of culture. So often the modern sensibilities are lacking, and
much of what's acclaimed is tedious at best. Twenty years ago, I
questioned the things that were put before us in a Modern Art
History class. Assemblages of garbage, tawdry or even ugly, were
presented as things to be appreciated. The only thing to be said
for such items, is anything in the real world looks artistic
after looking at them...the cracks in the sidewalk, the pattern
of smudges on your front door, anything! Virtue by
contrast may have some
eye-opening aesthetic, but does little to serve the cause of
art.
I asked the teacher the purpose of all this. He said the
raison d'etre of modern art was to make you question what
art was. This left me rather unsettled. Left to our own
intuition, we know what Art is. It must be beautiful and
powerful in its communication. There must be rhythm, balance,
harmony. There must be depth. There should be a hint of the
deep underlying issues of what it means to be human, in a truly
great work of art. It communicates "the universal", as Ms
Cameron says. Art may explore painful truths, but always the
essential dignity of humanity should never be threatened. It is
a hatred of humankind to do otherwise. The 'artist' says all is
ugly and insane. Perhaps that is that individual 'artists'
truth. But it is not universal truth.
The news item that provoked this discussion concerns events at
the Tucson Poetry Festival.
"No charges will be filed against a Tucson poet who invited
the Vail Middle School choir to sing during a poetry reading
parents called sexually explicit.
Pima County Attorney Barbara LaWall announced yesterday that
'Ann Nominus' did not violate decency laws during a poetry reading
that involved children at the annual Tucson Poetry Festival April
3."
The Arizona Daily Star published her poem, ``[name deleted]'' so readers could determine its worth for
themselves. It was a long, rambling disjointed incoherent piece
that was hardly pornographic. The veiled references to sex were
tamer than anything vividly portrayed on prime-time TV. It,
however, was painfully bad, and the students left halfway through
its reading, before singing the song
'Nominus' had invited them to
sing. Some parents made a issue of it and called it pornographic
because they needed a label to put on it. You can't sue someone
for BAD poetry. Bad poets have a right to publish their work.
(Note of August 2002: I've changed the poet's name to 'anonymous', per her request.)
But the choir director should have seen the poetry first. Peter
Vokac had this to say:
. . . Modern poetry, like modern music, is written by modern
poets for other modern poets.
James came home from work yesterday having heard and reporting
unsettling news. Would there be war in South Asia? Two
weeks ago, India conducted five underground nuclear explosions,
despite disapproval from other countries. Their long-time bitter
rival, Pakistan, felt they had to assert their strength against
India, and Thursday, also detonated an equal number of bombs.
Fearful for what the future holds, I've been reading the news
wires to learn of progress. The Associated Press reported the two
nations are stepping away from nuclear abyss, as "Pakistan
proposed yesterday that both it and India sign the Comprehensive
Test Ban Treaty, while India suggested a mutual pledge not to
strike first."
Still, so much damage has been done already. Both India and
Pakistan are poor countries, yet their leaders spent billions of
dollars for this display of muscle. Their people could little
afford this. In Pakistan more than seventy percent of the
population remains illiterate. Disease and malnutrition run
rampart in these countries in which basic amenities as
electricity and clean drinking water are a struggle to obtain.
Many nations have joined in economic sanctions against the
countries, which may add further to the poverty. Also, what harm
have been done to their environment by all this nuclear testing?
The immeasurable costs will even be felt on our peaceful
shores.
We take the shapes and details of familiar objects for granted.
Day after day, I've spent possibly thousands of hours sitting
before
my sewing machine., but had never
really looked at it. This afternoon's quiet drawing become a
meditation of discovery.
------------------Rainer Maria Rilke
May 28, 1998
May 29, 1998
A clear case of Terminal Boredom, not suitable for
children.
Well kids, now you know what modern poetry is. It's like seeing
the world through the wrong end of a telescope with
someone else's eyes. You may or may not catch something you
recognize, but whatever you may
grasp, you will have to work hard for every scrap. The
transcendent question: Is this literary ordeal going to be worth
my effort?
Goddess, save us from "modernity"!

May 29, 1998
June 4, 1998
But I am at those locked rooms with my eye to the keyhole,
and ever restless. Patience is not easy.
|
"There are a thousand and one gates leading into the orchard of mystical truths. Every human being has his own gate." - - - - - - - - - - - - - Elie Wiesel (from Night)
This knife is in my hand |
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