What Lies Beyond, Part Three

So That We May Have Wings

Joan Ann Lansberry

April 13, 1998

Laura and I had hoped to spend an idyllic weekend in unspoiled nature.

We gathered together our gear and went camping in the Table Top Wilderness area just north of here. With great effort,we got the tent set up. Afterwards a few serene hours of sweet intimacy were our reward. The cacti were all in colorful bloom as we walked afield from our camp site.

But, then the wind, which had been blowing quite strong, turned ferocious. It pulled the tent stakes out and the tent toppled upon us as we were lying on our well padded sleeping bags, gazing romantically into each others eyes. We laughed. But after we fought our way out of the fallen tent, trying to resurrect it proved futile. Laura attempted to jury-rig it. The wind howled through the misshapen structure with an intensely loud roar. It would tear the thin thing apart. Laura's heart hurt excruciatingly bad after trying to re-establish the tent.

The wind seemed a cruel master which must be obeyed. I urged we surrender and retreat, else a worse fate come to us. So we painstakingly and sadly admitted defeat and gathered our gear, put it in the car, and drove away with tears in our eyes.

April 15, 1998

The weather is still cold. By 12:30 pm it had only reached 56 degrees. As we thin-blooded desert lizards begin to feel only tepidly warm at 80 degrees, which is closer to the normal high for this time of year, we're shivering. Laura is still recovering from the rigors of the camping trip. It tore her up worse than she's ever been. The bad spells of angina are a too keen reminder of her mortality.

April 17, 1998

The temperature may get to 75 degrees today, and is predicted to reach the typical desert heat of 90 degrees by Monday. Laura is feeling quite a bit better. She and Julia went for a two mile mall walk this morning.

I had another of those symbolic dreams last night:
 

''Gift Shop of the Cycle of Life''

Laura and I went together to see Gramma's grave site. She said she knew I needed to see it. I remembered the stately black granite tombstone, planted near a large tree with graceful limbs, and engraved and gilded with Grandpa's dates and Gramma's birth date, waiting for her to join him.

So we began our journey. When we arrived at the cemetery, I was surprised to discover it looked much different than I remember. At the entrance was a building much like that which accompanies a tourist attraction. It had a gift shop with tour guides and for those wanting to explore alone, maps to orient oneself.

I thought I could go right to it and find it. Where was the elegant tree? I could not find it. All I could see were level ground markers and a few small bushes. I asked the thin Hispanic clerk at the gift shop where Alfred and Esther Horschler were buried. Surely he should know. He consulted a detailed map, "Oh, that's the exit down the hall and to the left. The first grave site is number eighteen. The Horschler's spot is number fourteen."

So Laura and I hurried down to the exit. But there were no tombstones there! There was a dog and cat sale sponsored by the humane society. I thought perhaps they'd joined forces with the cemetery because when a loved one dies, it is good for the person left alone to get a pet.

The area set aside for the pet sale was fairly large. Across the way was a fence, where I could see grave markers, but that was at a distance. I didn't know how to reach it, and besides I didn't see the majestic tree which span its canopy over my grandparents' tombstone.

Transition

The first part of my dream has become a forgotten dream of the new character which I play. I am a young slender brown haired M to F transsexual. The building of the cemetery has not changed much in its interior. However now it is a ship. I am in a room with yellow walls. It is my bunk room for the duration of the passage. I am awakened from sleep when a song came over hidden speakers. I recognize the tune as "Nearer My God to Thee." I shriek, "They played that song on the Titanic when it sunk. This means the ship is SINKING!" I panic while trying to find the exit. Opening doors, I see no water has yet entered these chambers. Finally I arrive at the main gift shop room, where the exit is. As I climb the stairs upwards, a great wash of water comes in and engulfs me.

Do I know how to swim? I push off the boat deck with my legs, which to my surprise are stronger than I thought. I didn't quite reach the surface. So I try once again, pushing off with my feet as hard as I possibly can, also thrusting forward with my arms and hands. I am able to fling myself to the surface and to the side of another boat. Smiling women glowing with sunlight reach out and grab me aboard, where I am safe. They hug me, welcoming me with many cries of happiness. Redemption!

Analysis

In part one, why was I not able to find the tombstone? Was my non-verbal mind telling me the best thing to do to heal is "to get a pet"? In other words, I must engage myself with the living that need care.

Why do I awake to another life entirely? Could it be because whenever someone you love dies, it is as though a part of YOU dies? Also if by some chance there is life after death, it will be like that. We will have no memory of our past life. Why I am TS could represent that I have often imagined myself to be a beautiful androgyne in the next life.

The boat, a passage from one place to another, may symbolize the birth womb. The women embrace me and I am again reconciled with life. Why women? It is from woman's womb that we are born. They symbolize the Divine Feminine capacity of birth and regeneration.

Why did a gift shop play a central role in each dream segment? We often speak of the gift of life. That can explain part two. But in part one, is it because we often need a "tour guide" to help us in our explorations of our grief? My non-verbal mind is serving me as my "tour guide".

April 20, 1998

One of the thrilling songs on Sarah Brightman's new album Time to Say Goodbye is "Tu Quieres Volver". Before I realized it meant "You Want to Fly", the rolling music was calling to mind images of the vast terrain. I became a creature with wings, flying over the relatively flat deserts of Casa Grande, and heading north to Phoenix. The craggy Superstition mountains spread beneath me for miles, and then below me, the huge network of streets interweaving and thinning until I float above green valleys. The trees below me become denser and denser until I am breathing free over the dense forests of Flagstaff.

Then I change direction, turning mid-air with incredible grace and speed. I fly south east to the rocky and green Chiricahua mountains where Cochise made his escape, and see the man-high rocks in which Laura and I played.

Changing aim again, I fly west to over the Colorado River as it winds its way from Yuma north. Green trees in Parker look delicious, as do serene riparian prairie areas. Further north is Lake Havasu and its mountains. The blue waters there are filled with many tiny boats. I spin out more north and the land turns gray with scant tiny bushes, Nevada desert!

I circled back south and flew farther west, past the river, and the mountains of boulders looked like a huge rock pile from on high. Then the grounds and trees grow greener and more lush. Salt-air stings my nostrils even this far up. Then I see the Pacific shoreline and the dock on which I've walked out to view the immense blue-green sea. In the mind, my great wings furled over it all.

How did I get those wings?

If it were not for all those times Laura said "Let's go take a trip, let's go somewhere!", how could I have framed that panorama in my mind? I cannot think of how. I am unable to do that with Illinois. Scattered bits and pieces that do not fit together is all I have. You can't get this knowledge from a book or a web site. You have to physically experience the changing panorama. Laura's adventurous spirit has given ME . . .

wings!

April 23, 1998

I have awakened early from a dream in which I have been housecleaning. I am doing a thorough job. Every piece of furniture has been moved out of the room. I am sitting, vacuuming with the hose, sucking over and over to get all the dirt. I always vacuum that way. Only I am at Gramma's house and it is my room there.

I wasn't certain if there was deeper symbolism in this dream, but Laura said it was obvious. Later, while in the tub taking a bath, I realised its full portent. Probing deeper, I remembered the specifics. Gramma is still alive in this dream. She is amazed at my hard work and grateful. What time of my life is this? Was I cleaning out, preparing to move on? No, there is something timeless about it. I can always return to that house in my mind. Gramma is still alive in my heart and will never die.

Looking at my relationship with her, there was some dirt. I wish she and my Mother had liked each other more. Yet I remember when the family's attitudes against my mother had influenced me too strongly. I can't remember exactly what I had said. Perhaps I didn't want to go on those court-ordered visitations. Gramma told me to remember that my Mother had given me life and my Mother deserved respect just for that. In any relationship there can be dirt. But the important thing is to recognise it, clean it up and save the love. Too often people will see only the dirt. They become blind to the underlying love that is the real foundation of the 'house'. So they mentally abandon it. I hope never to do that.

April 26, 1998

On This Street I Have Not Yet Named

At the end of the street
is a dream
hazy now
But somehow I can touch it.
Or is it touching me?
And with what?
Somehow I know it's there.
That's enough
On this street I have not yet named.
How can I name this street?
No book large enough for words,
Not any you can hold with your hands.  
So I walk down this road.
Feet meet ground hard,
bringing an odd ache.
I just head forward,
head and shoulders sticking out,
spiky things of thoughts.
That's okay.
Everything doesn't have to be smooth.

JAL, 4-26-98

April 28, 1998

Early Evening Reflections

I am sitting here staring. Staring through a clear glass jar of dried cranberries. The little dark red fruit have been almost all eaten. The inside of the jar got smeared somewhat as those wrinkly raisins were taken out. The image of light coming from the door as seen through the jar lens is painterly. It invites my inner eye to focus on depths of luminosity beyond the three-dimensional.

May 2, 1998

We've been renovating our web pages for easier navigating. While revamping the Museion pages, I learned more about what's there and added two images to our collection. The beautiful image of an hermaphrodite angel with a seated lady captured my imagination. Only in black and white, I wondered what it would look like in full color. Described as a "red figure" vase in K.J. Dover's Greek Homosexuality, I went to Picture Publisher to see what I could do with it. Its entrancing symbolism spoke to me, for Mysteries Are Revealed to Those Who Are Open.

May 2, 1998

Laura, Julia and I went for our two mile walk today on a nearby road in Casa Grande. Where we parked the car, an owl sat sentinel on a tall post. Athena's owl sent to bless us?

  
Golden age of Athens tetradrachm, c. 460 B.C.E.

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